The Barbican Estate has become an iconic example of Brutalism in London and its important ambition in scale and cohesion was recognised in 2001 when the complex was Grade II Listed. The estate was built on a 35-acre site that was razed in one night of bombings at the height of the Second World War in 1940. The area was known as ‘Barbican’ which derives from a Middle English word for fortification, in reference to the remains of the Roman city limit walls still standing.

By 1951 the City of London’s population had dwindled to little over 5000, and the City of London Corporation sought to revive the area as a place for people to live, rather than be solely a commercial area. The town and Country Planning Act of 1947 made it possible for local authorities to develop large areas, recognising the need for comprehensive post-war planning. In response to this, and following the success of the nearby Golden lane Estate which they built after winning a competition to regenerate an area similarly devastated by bombing, Chamberlin, Powell and Bon were commissioned to build a large-scale residential area. It took 30 years from the earliest discussions of its creation for the final element  of The Barbican – the Arts Centre – to be completed. It was opened by The Queen in 1982 who described it as ‘one of the modern wonders of the world’.

The young architects were inspired by Le Corbusier’s recently completed Unite d’Habitation in Marseilles, and envisioned The Barbican as an urban microcosm with residential blocks arranged around communal spaces. The lakes, gardens and changing levels devised as part of the plans allow residents a sense of peaceful seclusion. An essential component of this is the two systems of pedestrian circulation that link the tower blocks, terrace bocks, mews and townhouses, allowing road and rail traffic to pass unnoticed by residents. The buildings’ design required specialist engineering, overseen by Ove Arup & Partners. For example, the distinctive cantilevered balconies on the towers reduce wind resistance, and the nearby tube was quietened using rubber mounted tracks.

There are 140 types of apartment in the Barbican, each tailored using the same vernacular and quality, to suit the needs of the intended residents. All of the blocks were designed and angled to allow the maxim amount of sunlight into living spaces. Thomas More House runs on an east-west axis, and sits between luscious private gardens and the sports grounds. It is unified with the other terrace blocks by the ubiquitous strata of balconies that are adorned with planters and flowers.

The Barbican occupies an unparalleled position in position in the history of post war housing, where an avant-garde brutalist sensibility was applied to quality-driven dense inner-city housing. Chamberlin, Powell and Bon combined functionalist ergonomics with aesthetic precision in every element of the estate’s design, creating spaces of living that have an enduring desirability.