Regal Lane
London NW1

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Architect: John Winter

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"In this, John Winter's first work designed for his own use, it is possible to see how he became one of British Modernism's greatest practitioners"

Built in 1961 by the revered Modernist architect John Winter, this exceptional three-bedroom house occupies a magnificent location, at the end of a quiet residential lane, overlooking the Regent’s Park in central London. Winter designed and built the house for his own use and lived at Regal Lane for a number of years in the 1960s, before notably building again on Swain’s Lane in Highgate.

This house on Regal Lane was the first that Winter built for himself and his young family after returning to the UK from America where he had worked with SOM and the Eameses. He and his wife, the graphic designer Val Winters, laid the bricks and mortar together in the cold winter of 1960, converting a set of former garages into a beautiful early example of his signature Modernist style. In this house it is possible to see how he became one of British Modernism’s greatest practitioners

Since its completion in 1961, and Winter’s subsequent move to Swain’s Lane, the house has been extended to plans of his own design, reconfiguring the layout and adding an extra room over the former garage. Winter felt a strong connection to the house and was consulted on all aspects of its redesign, until his death in 2012.

Regal Lane is a private leafy residential lane, directly overlooking the Regent’s Park. The house is positioned on a corner allowing for dual-aspect views to the south and west.  The façade of the house is formed of elegant cubed massing, in brick, shuttered concrete and glass, with a large balcony on the second floor, a typically large picture window on the first and external sun-blinds on the extension over the original garage block.

Upon entry, the house’s signature steel spiral staircase sits to one side, elegantly coiled through the core of the plan. A downstairs bedroom has been reconfigured as a yoga studio in recent years and has narrow floorboards, bespoke cabinetry designed by Winter and white-washed brick on the internal walls. There is an entirely original family bathroom in the middle of the plan, with original cabinetry. A recording studio occupies the remainder of this floor; a sound-proof live room is accessed via glazed door from the studio itself. These spaces have hessian-clad walls and storage spaces, as well as a built-in desk. They occupy the space of the former garage and could easily be reconfigured as a third bedroom.

The first-floor is arguably the most impressive space. Configured in an open-plan, a large living room looks out onto the tree-lined walls of Regal Lane, past white-stucco Georgian villas to the Regent’s park beyond. The space is bathed in natural light care of a large (12ft by 7ft) window to the south and smaller windows to the south-western aspect. There are narrow boards underfoot and bespoke shelving along one wall. These interiors remain largely unchanged since Winter first designed them. The steel spiral staircase suggests a delineation in the living areas which the current owners use to house their piano, opposite a fireplace of black slate and white-washed brick.

The kitchen and dining room sits above the former garage. Positioned two steps below the living areas, these spaces occupy an extension designed by Winter in the 1990s. There is a bespoke built-in seating area, orientated to a further full-height section of glazing with an externally-fitted Venetian blind. The table was an Eames design and the hanging pendant above was selected by Winter. The kitchen is simple and in need of some minor modernisation. It has a stainless steel worktop and a granite work surface adjoining the dining area.

The second floor is occupied by the master bedroom and en-suite bathroom. There is a dressing area between these two spaces with generous amounts of fitted wardrobe space. Full-height glazed doors face south-west, so that dramatic sunsets can be seen from the large balcony over the Regent’s Park. Fitted louvres sit over the glazed doors to create a partial sunshade and a visual dialogue with the external blinds below.

The front section of the former garage has been retained at street level, creating a perfect space for bike and bin storage, behind original wooden doors.

Regal Lane is a peaceful, verdant cul-de-sac in Primrose Hill. It is excellently positioned within walking distance of the cafes, shops and restaurants of Primrose Hill village and the bustling markets of Camden Town, directly overlooking the north-eastern edge of Regent’s Park.

The Regent’s Park with its boating lake, cafes, rose garden, open-air theatre and beautiful walks is five minutes from the front door, while the attractions of Central London are under thirty minutes’ walk, or one tube stop away. Primrose Hill itself is ten minutes’ walk from the house, offering unparalleled panoramic views of London’s skyline.

Camden Town station is the closest tube, approximately nine minutes’ walk from the house, running Northern Line services citywide. St Pancras International is a ten-minute drive, offering high-speed connections to the south coast and mainland Europe.

Please note that all areas, measurements and distances given in these particulars are approximate and rounded. The text, photographs and floor plans are for general guidance only. The Modern House has not tested any services, appliances or specific fittings — prospective purchasers are advised to inspect the property themselves. All fixtures, fittings and furniture not specifically itemised within these particulars are deemed removable by the vendor.


History

John Winter (1930-2012) studied at the Architectural Association in the 1950s, and after national service attended Yale. In San Francisco he worked for Skidmore, Owings and Merrill as well as Charles Eames (Winter had a personal collection of Eames furniture). Eventually returning to England, he worked for Ernö Goldfinger and lectured at the Architectural Association before setting up his own practice.

Of Goldfinger, Winter has remarked, “From him I learnt a commitment to quality in architecture; to go far beyond that which is reasonable. That one has to endlessly search for a better solution and that the better solution in the true Modern Movement tradition is based on function and on the means of building. I have always found this a way to hang on to one’s sanity in a world obsessed by applied style.”

At the AA, his students included Jeremy Dixon, Edward Jones and Nicholas Grimshaw, and he acted as the association’s “house architect”, designing and overseeing a series of extensions and alterations to its premises.

Winter carried out a number of elegant residential projects in the 1960s and ‘70s, including three in Belsize Park, and his own first house, on Regal Lane in Primrose Hill.

According to the RIBA Journal, Regal Lane, “His first self-built house (pictured in construction above, care of the RIBA Journal) was designed in the late 1950s overlooking London Zoo. Fresh from America, where self-building was common, Winter taught himself the necessary trades such as bricklaying (using recycled bricks from demolition sites) and concrete shuttering, using old floorboards.  He recommended that all architects build their own houses as he did, to understand how buildings are made.”

Winter was closely involved in subsequent additions to the house that were carried out in the 1990s, after he had moved on, including a kitchen on the first-floor and the conversion of the former second-floor kitchen into a master bedroom suite. He was renowned for never having failed a planning application and was an enthusiastic correspondent regarding the twists and turns of the planning process to extend Regal Lane. At one point remarking to the owner, “The wheels turn slowly, but at least they do turn…” Upon receipt of planning approval, a letter on ‘John Winter Associates’ stationary simply reads, “HOORAY!”

Perhaps his most famous house is on Swain’s Lane, where he lived with his family until his death. The project was ahead of its time – its Cor-Ten steel panelling was the first domestic use of the material in Britain. The proportions of the house and the grid on which it was designed were set by reference to the dimensions of the standard Cor-Ten sheet, so that nothing was wasted. The house is widely regarded as one of Britain’s most important Modern houses, and is one of only a small handful to be given a Grade II* listing by English Heritage.

In the 1980s, Winter was commissioned to design another house on Swain’s Lane, which was in the High-Tech style and supported on a single central concrete pillar. This was demolished in recent years to make way for a new award-winning design by Eldridge Smerin.

Late in his career, Winter took a detailed interest in the restoration and conservation of some of Britain’s most avant-garde International Style properties, including Six Pillars in Dulwich and High Cross House in Devon.

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